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Detalhes da Produção
| Tipo | Apresentação de Trabalho |
| Grupo | Produção Bibliográfica |
| Descrição | KIELING, A. S. ; MARCONDES, C. I.. `Dystopic Futures: Media Ecology in an Algorithm Society`. 2021. |
| Autor | Alexandre Schirmer Kieling |
| Ano | 2021 |
Informações Complementares
| Ano | 2021 |
| Cidade de Apresentação | Rio de Janeiro |
| Descricão e Informacões Adicionais | Denialism and anti-science rhetoric in Brazil had an impact on the agendas of the digitalized society that resulted in deaths and all kinds of instability nourished by speeches and narratives disseminated by the communication and relationship platforms available on the internet. Jean-François Lyotard, still in the 1980s, already spoke of a Postmodern condition in which computer systems produced new forms of human and social association. An avalanche of inventors would take the place of scientists, specialists and philosophers. ?Postmodern knowledge is not only the instrument of powers. It sharpens our sensitivity to differences and reinforces our ability to endure the immeasurable. It does not find his reason for being in the homology of the experts, but in the paralogy of the inventors. ?(LYOTARD, 2009, p. 21). Our purpose in this work is to focus on the speeches and narratives constructed and circulated in Brazil during the historical evidence of the pandemic, confronting Twitter and Instagram performances in the official accounts of the federal health authorities, and even in the editorialization of Mass Communication vehicles, taking as reference the UOL News portal. What is sought is to observe language games and computer input and output strategies with a view to discursive performance, in order to understand the way in which characters, avatars and/or (pure and simply) pieces of fiction took over corporate and alternative powers, making Brazil a postmodern version of the Hamelin Pied Piper by the Brothers Grimm. |
| Descricão e Informacões Adicionais(en) | Denialism and anti-science rhetoric in Brazil had an impact on the agendas of the digitalized society that resulted in deaths and all kinds of instability nourished by speeches and narratives disseminated by the communication and relationship platforms available on the internet. Jean-François Lyotard, still in the 1980s, already spoke of a Postmodern condition in which computer systems produced new forms of human and social association. An avalanche of inventors would take the place of scientists, specialists and philosophers. ?Postmodern knowledge is not only the instrument of powers. It sharpens our sensitivity to differences and reinforces our ability to endure the immeasurable. It does not find his reason for being in the homology of the experts, but in the paralogy of the inventors. ?(LYOTARD, 2009, p. 21). Our purpose in this work is to focus on the speeches and narratives constructed and circulated in Brazil during the historical evidence of the pandemic, confronting Twitter and Instagram performances in the official accounts of the federal health authorities, and even in the editorialization of Mass Communication vehicles, taking as reference the UOL News portal. What is sought is to observe language games and computer input and output strategies with a view to discursive performance, in order to understand the way in which characters, avatars and/or (pure and simply) pieces of fiction took over corporate and alternative powers, making Brazil a postmodern version of the Hamelin Pied Piper by the Brothers Grimm. |
| Divulgação Científica | NAO |
| Idioma | Inglês |
| Instituição Promotora | Pontifical Catholic University of Rio de Janeiro |
| Local da Apresentação | Pontifical Catholic University of Rio de Janeiro |
| Natureza | CONGRESSO |
| Nome do Evento | Media Ecology Association (MEA) 22nd annual convention |
| País | Brasil |
| Relevância | NAO |
| Título | `Dystopic Futures: Media Ecology in an Algorithm Society` |
| Título(en) | `Dystopic Futures: Media Ecology in an Algorithm Society` |